CNC3 7PM NEWS - Sunday 21 August 2022
Get caught up on the big stories of the past 24 hours: – As T&T collaborates with regional governments on food security, ...
SHARS CNC 3" G6.3 COOLANT INDEXABLE FACE MILL CAT40 SHANK APKT 7FL NEW S}
SHARS CNC 3" G6.3 COOLANT INDEXABLE FACE MILL CAT40 SHANK APKT 7FL NEWProduct CodeSKU404-2879INDEXABLE MILLING CATEGORYFace & Shoulder MillBRANDShars ToolCUTTING DIAMETER3AXIAL DEPTH OF CUT AP0.551SHANK SIZECAT40OVERALL LENGTH6.66 PROJECTION LENGTH3.97INSERT STYLEAPET, APKT, APMTINSERT SIZE1604NUMBER OF FLUTES7MAX RPM BALANCED TOG6.3 12000CUTTING ANGLE90COOLANT THRUYes HELICALNoProduct applicationSuitable for most face milling applicationsReduces vibration on long overhang applicationsChip thinning effect allows for increased table feedsHigh Positive cutting geometry Photo is only showing an example of face mill/end mill from this series. Tool holder is balanced to G6.3 15,000 RPM on a HAIMER Tool Dynamic Balancing System from Germany. Balanced face mill cutter minimizes the...
Books on the subject of Cnc 3 News
Global Perspectives on Orchestras
Oxford University Press. 2018Offering innovative approaches to thinking about orchestras, Global Perspectives on Orchestras: Collective Creativity and Social Agency adopts ethnographic, historical and comparative perspectives on a variety of traditions, including symphony, Caribbean steel, Indonesian gamelan, Indian film and Vietnamese court examples. The volume presents compelling analyses of orchestras in their socio-historical, economic, intercultural and postcolonial contexts, while emphasizing the global and historical connections between musical traditions. By drawing on new ethnographic and historical data, the essays describe orchestral creative processes and the politics shaping performance practices. Each essay considers how musicians work together in ensembles, focusing on issues such as training, rehearsal, creative choices, compositional processes, and organizational infrastructures. Testimonies of orchestral musicians highlight practitioners' views into the diverse world of orchestras. As a whole, the volume discusses the creative roles of performers, arrangers, composers and arts agencies, as well as the social environments supporting musical collaborations. With contributions from an international team of researchers, Global Perspectives on Orchestras offers critical insights gained from the study of orchestras, collective creativity and social agency, and the connections between orchestral performances, colonial histories, postcolonial practices, ethnographic writings and comparative theorizations.
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